Well it’s award season and the first out of the traps was
the NTAs (The National Television Awards or “The Ant & Dec’s” as they are sometimes
referred to). According to the
description on the TV guide it was “the biggest night for TV of the year” other
than the BAFTAs I guess. The main
difference with the NTAs (actually let’s just call them “The Geordies”) is that
they are voted for by the public so these are no measure of artistic value or
programme making excellence, these are an out and out popularity contest.
They began 21 years ago in the less than salubrious
surroundings of the Wembley Conference Centre and were presented by Eamon
Holmes; but a year later moved to the Royal Albert Hall and Sir Trevor
MacDonald took the helm.In 2010 they
went up a notch again and moved to the O2 and Dermot “don’t mention the Getaway
Car” O’Leary took over.It seems a trend
that award shows need to fit into ever larger venues.I remember back in the 80’s when the BAFTAs
and the BRITS (then known as the BPI Award) came from the ballroom of the
Grosvenor House Hotel and took about an hour.Now with the run up and round up they seem to take 3 days (a bit like
stag and hen parties do now).
The evening started,
for no particular reason, with Gloria Gaynor singing a mash up of I Will Survive and Beyoncé’s Survivor.That pretty much set the tone for the
evening.There then followed two and
half hours of back slapping, smiling and losers faces.One
constant source of aggravation was the microphones.You would think that people who work in the
TV industry would realise that if they speak a distance away from a microphone,
that a man, probably wearingbaggy
shorts and grumbling a lot, will turn it up.You don’t have to lean into the microphone.But that didn’t stop every celeb over 5’ 4”
from stooping like a hunchback to read the nominations or make an acceptance
speech.
Talking of acceptance speeches, the “drunk before 8pm” award
went to Danny Dyer who won some category for that thing he is in andwent on to thank his parent for conceiving
him.I thought Shane Ritchie (who
presented the award) may have to come in to escort him off stage with a matey East
End arm around the shoulder; but he kept his distance before, during and after
the ramble and left it to Jessie Wallace to prop young Danny up as he exited
stage left.
A trend for the night did seem to be for everyone involved
in the production to get on stage to accept it.In fact sometimes so many people got up, that they were still making
their way back to their seats when the next award winner was making their way
up and had to avoid bumping into them in the aisle.Such was the congestion that Dermot had to
keep herding them off stage (what is the collective noun for a collection of celebs?A Star of Celebs? A Clammer of Celebs?).
All this chasing left one thinking that this programme was
running way over, but in fact the opposite was true.It would appear from the impromptu chat
between Dermot and Tess Daly, who along with the entire front row was
collecting the award for Strictly, that they were filling for time.This made even better car crash telly than
the other car crash telly programme he presents about crashing cars on the
telly.
The most poignant moment of the evening was the Special
Recognition Award presented to Billy Connolly.It was heart breaking to see such an obviously sharp and witty mind
trapped in such a frail form.He can
still give Peter Kay a run for his money, and did.So that was that for another year.The next big British Award Ceremony (I’m
ignoring that American one for the film stars in a couple of weeks time) will
be the BRITS in February, again at the O2.Let’s just hope they have managed to get the cast of Eastenders off the
stage in time.